
Ridge Walker
Erg Chebbi
2025
Hasselblad X2D · 90mm
ƒ/11 · 1/500 · ISO 64
Sand
One figure on the knife-edge of a dune, the wind already filling his footprints behind him.

Braided Water
Landmannalaugar
2024
DJI Mavic 3 Pro
24mm · ƒ/5.6 · 1/800 · ISO 100
Rivers
Meltwater splitting and rejoining across the valley floor between rhyolite hills.

Mirror Walk
Salar de Uyuni
2023
Hasselblad 907X · 45mm
ƒ/8 · 1/400 · ISO 64
Salt
Rain a centimetre deep over the flats and the sky laid out twice. Four people walking into it, keeping to the horizon line.

First Light
Reykjanes
2023
Sony A7R V · 70–200mm
ƒ/5.6 · 1/250 · ISO 400
Fire
The fissure opened overnight. By dawn the lava had found the valley floor and the steam was lit from underneath.

Tall Grass, Birds
Alentejo
2025
Leica SL3 · 50mm
ƒ/4 · 1/1000 · ISO 200
Figures
A figure standing still in the grass while the flock turns once overhead and leaves.

Dead Pan
Sossusvlei
2024
Hasselblad X2D · 38mm
ƒ/11 · 1/250 · ISO 64
Sand
Camelthorn trees nine hundred years dead, standing in the clay pan under the red dunes.

Causeway
Westfjords
2024
DJI Mavic 3 Pro
24mm · ƒ/4 · 1/640 · ISO 100
Rivers
A single road laid across the fjord on a line of stone, the mountains standing in the water.

Salt Cones
Trapani
2022
Fujifilm GFX 100S · 32–64mm
ƒ/8 · 1/320 · ISO 100
Salt
Harvested salt raked into cones along the pans, drying in the late afternoon.

Black Shore
Vík
2024
Sony A7R V · 24mm
ƒ/9 · 1/125 · ISO 100
Weather
Black sand and the last light on the ridge, the tide pulling silver lines back across the beach.

Night Stand
Atacama
2023
Sony A7S III · 20mm
ƒ/1.8 · 15s · ISO 3200
Night
Standing on the salt crust at two in the morning, the Milky Way the only light for a hundred kilometres.

Crescent
Algarve
2025
DJI Mavic 3 Pro
24mm · ƒ/5.6 · 1/1000 · ISO 100
Coast
The beach from four hundred feet, the swell drawing a clean white curve along the sand.
FARLINE
Landscape and aerial work from salt, sand and open water. Eleven prints, hung on one line running away from you.